New videos for your face to see + heartmuscle to love

The other exciting news of late is that the AOMC has finally caved (at the suggestion of Richert, after seeing the quality from his new baby) and bought a flip camera! I've been hearing Doug Fox talk about them for a while, but was never really convinced until I got to take a look firsthand.

It was getting increasingly hard to get my camera (which, make no mistake, i LOVE, but it's HUGE) to rehearsals, and I didn't want to worry about it getting stolen, damaged, etc from carrying it around all day for a rehearsal at night. Anyway - this is great news for all parties involved, because it makes it incredibly easy for us to get you footage of rehearsals. Take this week for instance.

We're back in the studio after some time off post DC show (which was FAB, thanks! I have some awesome pics, but need to get rights to them before i can post...) and I had the dreaded first day back by myself. I'm working on creating creating a solo for myself to put in the epic, which, lordbabyjesus knows, is neither my strong suit, or my idea of fun. HOWEVER, I'm committed to giving it a try. A really tough rehearsal all around, but here are some clips I pulled from my improvisations of things that stuck out to me.



Today was much more fun.
I had rehearsal after work with Lillie @ Chez Bushwick, and we banged out a few things. We worked a little with ideas of sloughing and drunken stumbling for a new beginning to SLFdstrcTV and started playing with this little cutie of a phrase:



and Lillie also helped me work on some improvisation and movement sourcing for the solo. We used a structure (loosely) based on one that Ashley Byler did with us a lot in her last piece i was in - on person looking at the other dancing, taking it in, and then trying to replicate points of interest and/or specificity that the are clear in the other one. We went back and forth a few times, discussed, did it again.

We used some music by Atmosphere to bring out some qualities I'm interested in putting in the solo - force and effort-laden movement that seems to be natural to me, the idea of threat or violence outside vs internally, etc. We wanted to test a hypothesis about using this music to create something that, once the music was taken away, came across as more violent and neurotic. What do you think?



Moresoon, lovealways,
xoxox.

As always...

have a few posts in the works, but not enough time to post them.

In the meantime, check out the sweaty slow-mo man-fight in the new sherlock holmes trailer. love it love it love it.



We're headed back into the studio now that we're done with our THROW performance (thank you thank you thank you those of you that came to support us! we hope you had as much fun as we did!) and will be both re-vamping 13 Variations on a Car Crash and trying to incorporate some of the feedback on SLFdstrcTV that we've received thus far. So yes, i'm getting all that lovely slow-mo-po-mo aesthetic back in my head!