tag:blogger.com,1999:blog-6070544966254629439.post7068858266806480318..comments2023-10-16T09:43:04.373-04:00Comments on The Urgent Artist: Day Eight - How I want to use HypermediaSarah A.O. Rosner/The AOMChttp://www.blogger.com/profile/14163453493211178095noreply@blogger.comBlogger4125tag:blogger.com,1999:blog-6070544966254629439.post-16165684923986771142008-06-23T18:06:00.000-04:002008-06-23T18:06:00.000-04:00i think we're very much in agreement, nathan. I'm...i think we're very much in agreement, nathan. I'm hoping that my friend jeremy will jump in on this though, becuse i'm guessing he feels much diferently, but don't want to put words in his mouth.<BR/><BR/>As my friend/co-blogger Theo often reminds me (which, just to point it out, i'm not 100% sure if i agree with...) the point of these questions isn't to anwser them, but to propell us to making Sarah A.O. Rosner/The AOMChttps://www.blogger.com/profile/14163453493211178095noreply@blogger.comtag:blogger.com,1999:blog-6070544966254629439.post-61979887349981518532008-06-23T17:17:00.000-04:002008-06-23T17:17:00.000-04:00Regarding the line between the "wondrous and incom...Regarding the line between the "wondrous and incomprehensible" and the "vanity project": I don't know quite what to say off the top of my head, except that maybe it's best to give it a simple answer: that if the artwork is the sort of thing that inspires the gut response, "Damn, that was good," then the degree to which it crosses such a line becomes irrelevant. To return to your comparison with Nathan Dufour Oglesbyhttps://www.blogger.com/profile/09006403451572331946noreply@blogger.comtag:blogger.com,1999:blog-6070544966254629439.post-89776428270319106812008-06-23T12:56:00.000-04:002008-06-23T12:56:00.000-04:00Hi Nathan, welcome!You make a really interesting p...Hi Nathan, welcome!<BR/>You make a really interesting poinit - and in looking back i agree with you that i am contradicting myself a bit on this point. Certianly the project that i propose offers only a different TYPE of clarity from the kind that post-modern/current dance world adheres to today. <BR/><BR/>Almost all of my dances follow a narative and even semi-theatrical path, and i would argue Sarah A.O. Rosner/The AOMChttps://www.blogger.com/profile/14163453493211178095noreply@blogger.comtag:blogger.com,1999:blog-6070544966254629439.post-62570914107297266652008-06-19T17:04:00.000-04:002008-06-19T17:04:00.000-04:00Re the statement "We are becoming self-limiting in...Re the statement "We are becoming self-limiting in our clarity." If I'm understanding you right, then it seems to me that the fulfillment of a "dance on its own terms" via hypermedia is a just an expanded manifestation of this same self-limitation for the sake of the same Clarity. It is a similar, if apparently more elaborate means to the end of Being Understood. The infinite liberty of some Nathan Dufour Oglesbyhttps://www.blogger.com/profile/09006403451572331946noreply@blogger.com